E: callum@yummycustard.co.uk

Building my iPad Portfolio

Earlier this year, I decided it would be appropriate for me to build a full iPad-ready portfolio. Having completed my placement at AKQA last year, and taking note of their passion for digital, I realised that I needed my portfolio to be mobile, clear and easily accessible. This would be especially important during the interview process when applying for jobs in the design industry.

Despite my portfolio having been through numerous incarnations recently, I knew that I would need to totally restructure it for the iPad, bringing full attention to the images, with the idea that I would verbally articulate my aims and rationale behind each project. I designed specifically for the iPad’s size, though despite me using a first-generation device, I created it ready for the latest retina display iPads, preparing for the eventuality of upgrading (though there are currently no plans in the pipeline to do this!). I wanted to produce a consistent look throughout, with a portfolio style that matches that of my PDP (personal/professional development plan) and my website.

Below is a preview of the portfolio in action!

iPad Portfolio

iPad Portfolio

 

Behind the Scenes: Glovebox #2

I’m continuing to work on my Glovebox project, making changes to the design and layout in order for the app to be made more appealing to my target audience. Whereas previously I had been creating digital versions of the physical documents, I have now moved the design process forward and have begun designing specifically different documents to make use of the digital format, and also the opportunity to make the documents more engaging to read and look at.

I am also adding further functions to the app. ‘Stolen’ and ‘Rescue’ buttons allow the driver to file a report if their car is stolen, as well as send images of the car to the police from within the app, whilst tapping ‘Rescue’ will dial the user’s chosen breakdown service if they find themselves stranded. Elements of the app have also been redesigned and new possibilities have been explored, such as the ability for the user to customise the app’s colour scheme to match their own car.

Glovebox

You can also check out my work on Dribbble or follow me on Pinterest!

Behind the Scenes: South Pacific

I recently completed design work for a publicity campaign at Wirral Grammar School for Boys, specifically for their joint production with Wirral Grammar School for Girls of the famous musical South Pacific.

Having worked on publicity for the productions at the school for the past four years, designing for South Pacific, being the much-loved musical that it is, was especially challenging. It was decided fairly early on by Director Geoff Hinde and myself that we should avoid the cliché palm tree-ridden design aesthetic, and instead play on the darker side of the play, especially considering its wartime setting.

In the end, with mixed use of my own photography and bold type, I created a range of publicity that would stand out, including posters to be produced at A3 size, tickets for each individual night that the production was running, and an A4 printed programme, all reflecting the identity set by the posters.

Tickets

Tickets

The usual high standard of acting, music and production was most definitely upheld, with fantastic performances from all of the cast and crew involved. I look forward to next year’s production (and designing) with much anticipation!

Let’s Go Shopping

The new Yummy Custard Society6 store is NOW OPEN for business! I’ll be selling my Type & Faith prints from here, also available as iPhone cases and skins, iPad and Macbook skins, stretched canvases and greetings cards. There will also be a small selection of my photography available through the store.

3271273_14433531-caseiphone5_l

 

Feel free to go and take a look – more will be added throughout the coming year. It’s all in dollars, but they’ll ship to the UK and will charge you in pounds equivalent (which is less than the dollars suggest!).

Farewell, Ceefax!

Today, as the digital takeover nears completion, Ceefax will be consigned to the history books. The blocky, pixelated information centre of our televisions has been a staple of the British family’s television set for 38 years. I remember it being one of the first ports of call for the latest information when I was growing up. Look how things change – now we have Twitter filling a similar role on our computers and smartphones.

Well, conveniently, today has seen this. Created by Jonathan Cresswell, Twefax converts your entire Twitter feed into a fantastically retro Ceefax page. It really is like stepping back in time and sitting in front of your television set, and is a reminder of just how far graphics and the internet have come in recent years. Before digital television came along, Ceefax would regularly be on the TV screen if we needed information, and that was only just over ten years ago.

Anyway, enough of my rambling on with history lessons – if you’re a Twitter user, go and give it a try! Have a nostalgic moment!

Twefax – Twitter meets Ceefax!

Twitter as we see it today. Or at least how I see it!

Read more on the demise of Ceefax over at the BBC Website.

Today we had the last of our lectures on Identity Design. We looked at what the future holds for this area of design, and it is very interesting to see some of the advancements in technology and how this is changing the way we design.

Something that has become increasingly popular over the last couple of years is Crowd Sourcing. Companies look to the public and their customer bases in order to come up with new products or ideas. A recent example is French car manufacturer Citroen’s attempt to crowd-source to produce a new special edition of their C1 model. They got in touch with consumers via their Facebook page, which has over 100,000 ‘likes’, and asked them to decide on the best configuration for their new ‘Connexion’ special edition. 24,000 people got involved which resulted in the car that Citroen launched to the British public in August 2012.

Of course, this has both good and bad implications for a brand and the role of the designer. The good points are that this method takes customer relationships to a new level; the manufacturer is directly asking the consumer, whether they are a current customer or not, to decide on the specifications of a new car. It also brings with it a whole heap of publicity, as Facebook users share their designs with friends, encouraging others to take part. However, you have to question whether the people that are taking part really know what they are doing. They aren’t professional designers. In this instance, however, Citroen offered limited variations on which way the design could go, ruling out what could’ve been some fairly tasteless configurations. Additionally, Citroen wouldn’t do this for every single car they make and sell.

We also looked at advancements in Print Media. Many have suggested that ‘print is dead’, thanks to the digital revolution and the increasing popularity of smartphones and apps. The Guardian newspaper have even spoken about going entirely digital in the next two years. However, many also believe that print still has the legs to stand up to digital. Little Printer has been dreamt up by Berg, and brings news from friends (via Twitter), puzzles and world news onto one little strip of paper. It prints a bit like a receipt, and brings a whole new meaning to social networking and how we view the latest news. Berg have been readying Little Printer for launch for some time now, but you can see it in action on this page.

 

Another aspect we looked into was that of the Brand Experience. This may seem like nothing new, but there are an increasing number of retail spaces springing up around the world, designed to support a brand and get people interested in out-of-context areas. Examples of this include Citroen’s C_42 showroom, L’Atelier Renault, Peugeot Avenue and Rendezvous Toyota, all situated on the Champs Elysées in Paris. These allow the brands to bring their products and services to an audience that might not otherwise experience them in a retail setting. I have visited each of these ‘brand experience’ showrooms, all of which are totally different to anything we have in the UK when it comes to selling cars. Renault recently reopened L’Atelier, which can be seen below:

 

Ferrari have a similar setup in London, whilst MINI have one in Amsterdam. I think they are particularly useful at gaining publicity and creating a buzz around the specific city for the company’s products and brand.

I am going to be developing my ideas for an all-new brand identity for the University of Chester’s Christian Union as part of this project. The brief was chosen by my research group and I have decided to continue to focus on this community as I feel it can become a bigger part of Chester as a whole, and visual improvements are needed in order for this to take full effect and appeal to a wider audience. I’ll be updating everyone on this via the blog, so do subscribe or follow me on twitter to stay up to date!

What’s New at my Flickr Stream

Some of you know that I’m also massively into photography.

Well, having been globetrotting (almost) over the Summer, I’ve added some brand new imagery to my Flickr stream, featuring some classic dutch scenery and some classic cars too. My photography is still available to purchase – head over to my Tumblr for information on how you can get your hands on a print of mine.

As GloZell would say, over and out!

Lighthouse at Egmond aan Zee, North Holland – one of the new additions!

The Return of Stop-motion

So I haven’t made a stop-motion film for almost 12 months. Luigi & the Cinquecentos began back in March 2010 as an idea for my A-Level Fine Art project, quickly spinning a second “sequel” episode later that month, and an extended third episode in the Summer. The following year, boredom got the better of me and I decided to do another, fourth version, featuring our newly-purchased Fiat 500.

I didn’t really promote the fourth episode, inventively titled ‘Go 4th’, so decided to get it out there a bit more this month. I’ve had some encouraging comments on Twitter, including from a certain Fifth Gear presenter, so my aim, I have decided, is to begin work on another episode over the Summer. I’ve learnt an awful lot when it comes to animation as I’ve been creating each film, and I feel there is a degree of difference between my first attempt and the latest one.

Episode 5, I hope, will be more polished and more humorous. There are things I haven’t done before, and places I haven’t been too. I’ll take my time but it’s something I really enjoy doing alongside my more serious (but still enjoyable!) graphic design projects.

I’ll keep updating on Twitter and through the Yummy Facebook page, but for now, here’s a little teaser. Dreadfully exciting I know!

Hello and welcome!

This is my brand new website!

I’ve been thinking for a while that I should create something new for my portfolio of work. Bear with me, as it is still in the process of being put together, but from now on I will be adding my new work here. My Tumblr will still continue to function but its purpose will become more blog-like than previously, with “behind-the-scenes” insight, progress on work, and things that inspire me. So don’t forget about it!

Special thanks go out to Mark for helping me to get set up and showing me the ropes – it is much appreciated.

Stay tuned for the latest, grab me on twitter, follow me on Tumblr, or just have a look around!